The plug-in itself, playing Lead. No effects, no mastering.
Legendary · study 22 of 43

Modulr Wave

Sixty-four waves in each of thirty-two tables, a knob to sweep them, and a resonant low-pass with envelopes of its own.

Modulr Wave is a one-voice wavetable synthesizer after the grammar of a 1989 wavetable instrument: thirty-two tables of sixty-four waves swept by one large knob and moved by an envelope and an LFO, a detuned second oscillator, a sub oscillator an octave below and noise, a resonant low-pass with its own envelope, and a data wheel with a two-line display. It is a VST3 and Audio Unit for Apple silicon.

On sale · VST3 and Audio Unit
37 controlsevery one can be automated from your music software
17 patcheseach one loads the whole sound from the drawer; they hold three distinct sounds
VST3 · AUApple silicon, macOS 11 or later
Hear it

Three sounds, played as they ship.

Each clip is the plug-in itself: a patch is picked in the drawer and loaded, then a played chord or line sounds on it, the way it is played into the plug-in from a keyboard. The seventeen patches hold three distinct sounds, one for each clip here: the three starting points are this product’s reading of a pad, a lead and a bass, and the artist-named patches reuse them. No source documents a setting on the instrument, so none of these is any record’s own.

Pad · starting pointPad · starting pointThe wave swept slowly through the table by a long wave envelope, a slow attack and a long release, a wide spread and a gently opened filter: a pad. The settings are this product’s reading of the pad role, not any record’s.
Lead · starting pointLead · starting pointA bright wave, a quick attack, a filter that follows the key so high notes stay open, a little glide and a vibrato that fades in after the note starts: a lead. The settings are this product’s reading of the lead role, not any record’s.
Bass · starting pointBass · starting pointThe sub oscillator brought up under the key, a low cutoff opened sharply by the filter envelope, a little resonance and drive, short envelopes and no spread: a bass. The settings are this product’s reading of the bass role, not any record’s.
How it plays

Sixty-four waves, one knob.

Requirements

What it needs.

FormatSystemsLicence
VST3 · Audio UnitmacOS 11 or later, on Apple silicon$25. A licence file for each machine is needed to make sound; without one the editor opens and the output is silent, and there is no automatic way yet to receive one.
The drawings

The editor, and the module it becomes.

The first drawing is the plug-in editor as it opens. The second is the Eurorack module the study is also drawn as; the module is a design study and is not built.

The Modulr Wave plug-in editor, as it opens
The Modulr Wave editor as it opens: a violet and blue front with an ice-cyan display and a data wheel, the wavetable, filter and envelope menus below.
The Modulr Wave Eurorack module, 22 HP, in its case
The Modulr Wave module, 22 HP: a violet and blue panel, eight macro knobs with a control jack under each, and five jacks in one dark tray.

The editor is the plug-in’s own, as it opens. The module is drawn by the specification’s own kit, and its values are illustrative, not measured. The design is the Microwave’s grammar, redrawn in Modulr’s own words, and nothing on it is measured against the instrument.

The instrument it studies

Microwave, 1989.

The instrument’s own grammar, as the catalogue recalls it: the sections, the controls and the look the study borrows.

The wavetable rack grammar: one position through a table of waves chosen by a single Wave knob and swept by its own envelope, a resonant low-pass, and a front of few controls where a two-line LCD, a row of small page keys and one data wheel carry the menus.

A compact violet and blue front with white lettering: a bright ice-cyan 2 x 16 character LCD, four small grey keys and a knurled data wheel up top, eight pale knobs on one printed plate each with a CV jack under it (Wave and Cutoff ringed), the five jacks in one dark tray.

  • A wavetable oscillator with wave and table select
  • A 24 dB low-pass filter: cutoff, resonance, envelope amount and keyboard tracking
  • Two ADSR envelopes, for the filter and the amplifier, and a wave envelope
  • An LFO
  • A small two-line LCD
  • A data knob, edit buttons and bank buttons
The spec sheet

The module, knob by knob.

The module is a design study and is not built. Its macros are the signature controls a player reaches for; in the plug-in every one of them is a knob or a key on the editor.

MacroKeyRangeDefault
Waveosc.wavewave 1 – 64wave 1
Tableosc.tabletable 1 – 32table 1
W Envwave.env±100%0%
Ratelfo.rate0.05 Hz – 40 Hz1 Hz
Cutoffvcf.cut20 Hz – 20 kHz20 kHz
Resovcf.res0–100%0%
F Envvcf.env±100%0%
Releaseenv.release0 ms – 20.0 s200 ms
SideJacks
InNote (MIDI), V/Oct (CV), Gate (CV)
OutOut (Audio), Env (CV)
The plug-in is built. The module is not.On saleModulr Wave is a working VST3 and Audio Unit, $25, ad hoc signed and not notarized, so macOS will warn before it opens. A downloaded copy stays silent until it is licensed, and there is no automatic way yet for a customer to receive a licence file. It is not a copy of any instrument: no maker’s name or logo is drawn on a panel, and nothing is measured against the original. The Eurorack module drawn on this page is a design study and is not built.

Legendary is the catalogue of the Modulr Synths project: 43 design studies drawn with the specification’s own kit, 33 after the synthesizers of all time and 10 after the drum machines. The makers and years named here are the instrument’s; the names, the layouts and every value are Modulr’s own.